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1976 studio album past the Eagles

Hotel California
Hotelcalifornia.jpg
Studio album past

the Eagles
Released December 8, 1976[1]
Recorded March – October 1976
Studio
  • Criteria (Miami)
  • Record Constitute (Los Angeles)
Genre Stone
Length 43:28
Label Asylum
Producer Nib Szymczyk
Eagles chronology
Their Greatest Hits (1971–1975)
(1976) 		Hotel California
(1976) 		The Long Run
(1979)
Singles from Hotel California
  1. "New Kid in Boondocks"
    Released: December vii, 1976[1]
  2. "Hotel California"
    Released: February 22, 1977[1]
  3. "Life in the Fast Lane"
    Released: May 3, 1977[1]
Eagles studio album chronology
One of These Nights
(1975) 		Hotel California
(1976) 		The Long Run
(1979)

Hotel California is the 5th studio album by American stone band Eagles. Released on December 8, 1976, by Asylum Records, Hotel California was recorded past Bill Szymczyk at the Criteria and Tape Plant studios betwixt March and October 1976. It was the band's start anthology with guitarist Joe Walsh, who had replaced founding member Bernie Leadon, and is the last album to characteristic founding bassist Randy Meisner. The front cover is a photo of the Beverly Hills Hotel by David Alexander.

Hotel California topped the United states of america Billboard Top LPs & Tapes chart. At the 20th Grammy Awards, the Eagles won a Grammy Honour for "Hotel California", which won Record of the Year, and for "New Kid in Town". The album was nominated for Album of the Year just lost to Fleetwood Mac's Rumours. Three singles were released from the album, with ii topping the Billboard Hot 100, "New Kid in Town" and "Hotel California", whilst "Life in the Fast Lane" reached No. 11.

Hotel California is 1 of the best-selling albums of all time. It has been certified 26× Platinum in the U.s.a., and has sold over 32 million copies worldwide, making it the band's acknowledged album after Their Greatest Hits (1971–1975).[2] Information technology has been ranked as 1 of the greatest albums of all fourth dimension. In 2003 and 2012, it was ranked number 37 on Rolling Stone 's list of "The 500 Greatest Albums of All Time". A 40th anniversary special edition of Hotel California was released in November 2017.

Theme

The kickoff song written for the album was "Hotel California", which became the theme for the album.[three] Henley said of the themes of the songs in the anthology:

They're the same themes that run through all of our piece of work: loss of innocence, the cost of naiveté, the perils of fame, of backlog; exploration of the night underbelly of the American dream, idealism realized and idealism thwarted, illusion versus reality, the difficulties of balancing loving relationships and work, trying to square the alien relationship betwixt business concern and art; the abuse in politics, the fading away of the Sixties dream of "peace, love and agreement."[iii]

On the title "Hotel California", Henley said that "the word, 'California,' carries with it all kinds of connotations, powerful imagery, mystique, etc., that fires the imaginations of people in all corners of the globe. There's a built-in mythology that comes with that word, an American cultural mythology that has been created by both the motion picture and the music industry."[3] In an interview with the Dutch magazine ZigZag shortly before the album's release, Don Henley said:

This is a concept album, there'south no way to hide information technology, simply it'due south not set up in the old Westward, the cowboy affair, yous know. Information technology'due south more urban this time (…) It's our bicentennial year, you know, the country is 200 years old, and then we figured since we are the Eagles and the Eagle is our national symbol, that nosotros were obliged to make some kind of a little bicentennial statement using California as a microcosm of the whole United States, or the whole world, if you volition, and to try to wake people up and say 'We've been okay and so far, for 200 years, but we're gonna have to change if we're gonna go on to be effectually.'"[4]

Composition

Bernie Leadon, who was the main country influence in the band, left the band later on the release of the previous album Ane of These Nights. For Hotel California, the band made a conscious decision to move away from country rock, and wrote some songs that are more rock & ringlet, such as "Victim of Love" and "Life in the Fast Lane". Leadon was replaced by Joe Walsh who provided the opening guitar riff of "Life in the Fast Lane" that was then adult into the vocal. The championship for "Life in the Fast Lane" was inspired by a conversation between Frey and his drug dealer during a high speed automobile ride.[v]

The chord progression and basic melody of the championship track, "Hotel California", was written past Don Felder. Don Henley wrote nigh of the lyrics, with contributions from Glenn Frey. Henley noted that the hotel had become a "literal and symbolic focal indicate of their lives at that time", and it became the theme of the song. Frey wanted the song to exist "more cinematic", and to write information technology "only like it was a film". Henley sought inspiration for the lyrics past driving out into the desert, every bit well every bit from films and theatre.[vi] Parts of the lyrics of "Hotel California" as well as the song "Wasted Time" were based on Henley's break up with his then girlfriend Loree Rodkin.[seven] [8]

Frey, in the "Hotel California" episode of In the Studio with Redbeard, spoke about the writing of "The Concluding Resort". Frey said: "It was the first time that Don took it upon himself to write an epic story and we were already starting to worry about the surroundings… we're constantly screwing up paradise and that was the indicate of the song and that at some betoken there is going to exist no more new frontiers. I mean we're putting junk, er, garbage into space now."[nine]

Recording

The album was recorded betwixt March and Oct 1976 at Criteria Studios, Miami and Tape Plant Studios, Los Angeles, and produced past Bill Szymczyk.[x] Although the band favored Los Angeles, the producer Szymczyk wanted to tape in Miami as he had adult a fear of living on a fault line in Los Angeles after experiencing an earthquake, and a compromise was then struck to split the recording at both places.[v] While the band were recording the album, Black Sabbath were recording Technical Ecstasy in an adjacent studio at Criteria Studios in Miami. The band was forced to finish recording on numerous occasions because Black Sabbath were too loud and the audio was coming through the wall.[11] The last track of the anthology, "The Terminal Resort" had to be re-recorded a number of times due to dissonance from the next studio.[5]

For the title track "Hotel California", later the arrangement and instrumentation had been refined, several takes were recorded. The best parts were then spliced together, in all 33 edits on the two‑inch master, to create the concluding version.[10] In contrast, "Victim of Love" was recorded in a live session in studio apart from the atomic number 82 song and the harmony on the choruses which were added later. Don Felder initially sang the pb vocals in the many early on takes for the song, merely the band felt that his efforts were not up to the required standard, and Henley then took over as the lead.[five]

According to Henley in a 1982 interview, the Eagles "probably peaked on Hotel California." Henley said: "After that, we started growing apart as collaborators and as friends."[12]

Artwork

Eagles performing "Hotel California" in 2010 with the image from the album cover in the background

The front comprehend artwork is a photograph of The Beverly Hills Hotel shot just earlier sunset by David Alexander with design and art direction by Kosh.[xiii] According to Kosh, Henley wanted him to find a place that can portray the Hotel California of the album championship, and "portray information technology with a slightly sinister border". Iii hotels were photographed, and the one with The Beverly Hills Hotel was selected as the cover. The lensman shot the prototype 60 feet above Dusk Boulevard on top of a cherry-red picker.[xiv] As the image was taken from an unfamiliar vantage point in fading low-cal, most people did non initially recognize the hotel. However, when the identity of Beverly Hills Hotel was revealed, the hotel threatened legal action over the employ of the image.[five]

The rear album cover was shot in the lobby of the Lido Hotel in Hollywood.[15] [16] The gatefold image shows the same lobby only filled with members of the band and their friends. Henley said: "I wanted a drove of people from all walks of life, It's people on the edge, on the fringes of society." A shadowy figure appears on the balcony above the lobby, which led to speculations over the person'southward identity.[17]

Kosh designed a Hotel California logo as a neon sign which was used on the album cover and in its promotional materials. Equally it proved difficult to bend existent neon tubings into the desired shape of the script, the neon effect of the logo was accomplished with airbrush by Bob Hickson. Additional portraits of the band used in the anthology package and promotional materials were shot past Norman Seeff.[fourteen]

Release

The album was released by Aviary Records on Dec 8, 1976, in vinyl, cassette and 8-track cartridge formats. It was considered for quadraphonic release in early 1977, but this thought was dropped post-obit the demise of the quadraphonic format. On the album's 25th anniversary in 2001, information technology was released in a Multichannel 5.1 DVD-Audio disc. On August 17, 2011, the anthology was released on a hybrid SACD in Nihon in The Warner Premium Audio series, containing both a stereo and a v.ane mix.[18]

Original vinyl pressings of Hotel California (Elektra/Asylum catalog no. 7E-1084) had custom pic labels of a blue Hotel California logo with a yellow background. These also had text engraved in the run-out groove of each side, continuing an in-joke trend the band had started with their third anthology On the Edge. The text reads: Side ane: "Is It 6 O'Clock Withal?"; Side 2: "5.O.L. Is Five-Piece Live", indicating that the vocal "Victim of Honey" was recorded in a alive session in studio, with no overdubbing. Joe Walsh and Glenn Frey confirm this on the inner booklet of The Very Best Of.[nineteen] This but referred to the instrumental track, however; the lead song and harmony for the chorus were added later on. This was in response to those who criticized the Eagles' practice of copious overdubbing of instruments and that they were too clinical and soulless in the studio. They wanted to demonstrate that they could play together without overdubs if they wanted to.[five]

A 40th ceremony deluxe edition was released on November 24, 2017. The ready includes the original remastered album, and a second CD that features 10 alive tracks from the concert at The Forum, recorded in October 1976 2 months before the original release of the album.[20] This bonus CD was also issued as a stand up-alone vinyl LP in 2021.[21]

Critical reception

Retrospective professional reviews
Review scores
Source Rating
AllMusic [22]
Christgau's Record Guide B[23]
The Encyclopedia of Popular Music [24]

Hotel California was met with generally positive reviews. Village Voice critic Robert Christgau felt it was their "most substantial if not their almost enjoyable LP",[23] while Charley Walters of Rolling Stone felt it showcased "both the best and worst tendencies of Los Angeles-situated rock".[25] Both critics picked upward on the anthology'southward California themes – Christgau remarking that while it may in places exist "pretentious and condescending" and that "Don Henley is incapable of conveying a mental state as complex every bit self-criticism", the band couldn't accept written the songs on side one "without caring about their California theme down deep";[23] Walters in contrast felt the "lyrics present a disarming and unflattering portrait of the milieu itself", and that Don Henley's vocals express well "the weary cloy of a victim (or observer) of the region's luxurious backlog".[25] Billboard gave the album high praise: "The casually beautiful, quietly-intense multileveled song harmonies and brilliant original songs that meld solid emotional words with lovely melody lines are all dorsum in forcefulness, keeping the Eagles at the superlative of acoustic electric soft rock." It noted that, even though the album did not attempt out any new departure other than the "Procol Harum-blazon" title runway, "the album proves that at that place's a lot more left to explore profitably and artistically in the L.A. countryish-rock style."[26] [27]

Retrospective reviews have also been positive. Robert Hilburn of the Los Angeles Times, writing after the band broke up, chosen the anthology "a legitimate rock masterpiece", in which the band "examined their recurring theme almost the American Dream with more precision, ability and daring than e'er in such stark, uncompromising songs equally "Hotel California" and "The Last Resort"."[28] William Ruhlmann from AllMusic later said "Hotel California unveiled what seemed almost like a whole new band. It was a band that could be bombastic, merely also one that fabricated music worthy of the later tag of 'classic rock', music appropriate for the arenas and stadiums the band was playing."[22] Steve Holtje, writing for CultureCatch in 2012, felt that even though "an atrocious lot of the album is snarky whining from co-leaders Don Henley and Glenn Frey, 2 guys who didn't really seem like they had that much they could legitimately mutter about", in the final analysis "Hotel California and the underrated concept anthology Desperado stand equally the grouping's greatest statements".[29]

Accolades

Hotel California was the Eagles' sixth album (including Their Greatest Hits (1971–1975)), and fifth of original cloth. It became a critical and commercial success. In a poll of rock critics and DJs in 1987, it was ranked 48 out of 100.[xxx] In a public poll for the 1994 edition of All Time Top 1000 Albums, it was voted number 107,[31] and and so number 67 in the 2000 edition.[32] In 2001, the Tv set network VH1 placed Hotel California at number 38 on their 100 Greatest Albums of All Time listing. Hotel California was ranked 13th in a 2005 survey held past British television's Channel 4 to make up one's mind the 100 greatest albums of all time. In 2003, the album was ranked number 37 on Rolling Stone magazine'due south list of the 500 greatest albums of all time,[33] maintaining the rating in a 2012 revised list,[34] dropping to number 118 in the 2022 reboot of the list.[35]

The song "Hotel California" was ranked number 49 on Rolling Stone 's listing of "The 500 Greatest Songs of All Time" in 2004.[36] It maintained the ranking in 2010,[37] and was re-ranked at number 311 in 2021.[38]

Awards and nominations

The album was nominated for several Grammy awards in 1978 and its championship rail "Hotel California" won the Record of the Year. The ring director Irving Azoff withal refused requests by the Grammy producer for the band to nourish or perform at the anniversary unless a win was guaranteed. The band therefore did not appear at the ceremony to collect their awards. Henley later said: "The whole thought of a contest to meet who is 'best' but doesn't appeal to u.s.."[5]

Year Honor Nominee Category Upshot
1978 Grammy Eagles for "Hotel California" Tape of the Year Won
Eagles for "New Kid in Town" All-time Arrangement For Voices Won
Eagles for Hotel California All-time Pop Song Functioning past a Group Nominated
Eagles for Hotel California Album of the Year Nominated
Bill Szymczyk Producer of the Year Nominated

Commercial functioning

The album first entered the US Billboard 200 at number four,[39] reaching number 1 in its 4th week in January 1977.[29] [40] It topped the nautical chart for eight weeks (non-consecutively), and it was certified platinum by the Recording Industry Association of America (RIAA) in a week of release.[41] In its kickoff year of release it sold nigh six meg copies in the United States,[42] and past July 1978 it has sold 9.5 million copies worldwide (7 million in the US and 2.5 million elsewhere internationally).[43] On March xx, 2001, the anthology was certified 16× platinum by the Recording Industry Association of America, denoting shipment of 16 million in the United States,[41] [44] and had sold over 17 million copies in the US by 2013.[45] Worldwide the album has sold 32 1000000 copies.[46] On Baronial xx, 2018, the album was certified 26× platinum by the RIAA for 26 million units consumed in the United states of america under the new system that tallies album and digital track sales every bit well as streams.[47]

The anthology produced 2 number 1 striking singles on the US Billboard Hot 100: "New Kid in Town", on Feb 26, 1977, and "Hotel California" on May seven, 1977.[48]

Track listing

Side one
No. Title Writer(south) Lead vocals Length
ane. "Hotel California"
  • Don Felder
  • Don Henley
  • Glenn Frey
 Don Henley 6:xxx
2. "New Kid in Boondocks"
  • Henley
  • Frey
  • J.D. Souther
 Glenn Frey five:04
3. "Life in the Fast Lane"
  • Henley
  • Frey
  • Joe Walsh
 Henley 4:46
4. "Wasted Time"
  • Henley
  • Frey
 Henley 4:55
Side two
No. Title Writer(s) Lead vocals Length
one. "Wasted Time" (Reprise)
  • Henley
  • Frey
  • Jim Ed Norman
 instrumental i:22
2. "Victim of Love"
  • Felder
  • Henley
  • Frey
  • Souther
 Henley 4:eleven
3. "Pretty Maids All in a Row"
  • Walsh
  • Joe Vitale
 Joe Walsh iv:05
4. "Endeavour and Honey Over again" Randy Meisner Randy Meisner 5:10
v. "The Last Resort"
  • Henley
  • Frey
 Henley 7:25
40th ceremony edition bonus disc (Live at the LA Forum October 20–22, 1976)
No. Title Writer(south) Lead vocals Length
1. "Take It Easy"
  • Frey
  • Jackson Browne
 Frey four:48
ii. "Take Information technology to the Limit"
  • Henley
  • Frey
  • Meisner
 Meisner 5:19
three. "New Kid in Town"
  • Henley
  • Frey
  • Souther
 Frey 4:53
4. "James Dean"
  • Henley
  • Frey
  • Souther
  • Browne
 Frey 3:50
five. "Good Day in Hell"
  • Henley
  • Frey
 Frey and Henley 5:29
half dozen. "Witchy Woman"
  • Henley
  • Bernie Leadon
 Henley 4:21
7. "Funk 49"
  • Walsh
  • Dale Peters
  • Jim Pull a fast one on
 Walsh four:04
8. "One of These Nights"
  • Henley
  • Frey
 Henley 3:53
9. "Hotel California"
  • Felder
  • Henley
  • Frey
 Henley 6:50
10. "Already Gone"
  • Jack Tempchin
  • Robb Strandlund
 Frey 5:sixteen

Personnel

Adapted from AllMusic[49] and album liner notes.[50]

Eagles

  • Don Felder – guitars, backing vocals, pedal steel guitar on "The Last Resort"
  • Glenn Frey – guitars, bankroll vocals, keyboards, atomic number 82 vocals on "New Kid In Town"
  • Don Henley – drums, percussion, lead vocals, backing vocals, synthesizer on "The Last Resort"
  • Randy Meisner – bass, backing vocals, lead vocals on "Attempt and Dearest Once more," guitarrón on "New Kid in Town"
  • Joe Walsh – guitars, keyboards, bankroll vocals, lead vocals on "Pretty Maids All In A Row"

Production

  • Pecker Szymczyk – producer, mixing
  • Allan Blazek, Bruce Hensal, Ed Mashal, Bill Szymczyk – engineers
  • Jim Ed Norman – string arrangements, conductor[51]
  • Sid Sharp – concert principal
  • Don Henley, John Kosh – art direction
  • John Kosh – blueprint
  • David Alexander – photography
  • Kosh – artwork
  • Norman Seeff – poster design
  • Ted Jensen – mastering and remastering
  • Lee Hulko – original LP mastering

Charts

Certifications and sales

See also

  • Listing of best-selling albums
  • List of best-selling albums in the United states
  • List of diamond-certified albums in Canada
  • Listing of Billboard 200 number-one albums of 1977

References

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Source: https://en.wikipedia.org/wiki/Hotel_California_(Eagles_album)

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